I watched the Steelers lose their playoff game against the Titans earlier this evening. Strangely, I'm not that upset about it. Maybe it's because I didn't expect the Steelers to get this far in the playoffs, or maybe it's that I'm getting used to the idea that it's just a game and not worth moping over for hours or days. Either way, it's over for Pittsburgh for this year. They need to improve their secondary for 2003 and maybe look for a rookie quarterback for Tommy Maddox to tutor. I'll say this for Maddox: he's the first Steelers quarterback since Terry Bradshaw that doesn't make me nervous every time he drops back to pass. It's been that long since I've felt this comfortable watching a Steeler throw the ball.
Before the game, Liz and I saw Chicago. We agreed that it was one of the best movie musicals we'd ever seen. It keeps the stage feeling of the musical while successfully translating the story to the big screen. The illusion that I was watching a stage musical was so effective that at the end I had to remind myself that there were no curtain calls so that I could applaud the stars' performances. Every time I hear the music from this show, I enjoy it more, so I'm definitely adding this film to my growing DVD collection when the time comes.
Over at theonering.net I found this link to an editorial by the online editor of the Weekly Standard where he argues why The Two Towers will lose Best Picture to Chicago. I don't care. TTT is a great movie, but I don't think it deserves a Best Picture Oscar and that it will be lucky to get a nomination. Chicago, on the other hand, is a great movie that should get the Golden Globe for Best Musical already (no need to wait until next Sunday), should get a Best Picture nomination, and I wouldn't be upset at all if it won. Fellowship was Peter Jackson's best chance for the BP Oscar, and I think his movie was better than A Beautiful Mind last year. The Academy will probably look at TTT and argue that it's more of the same, so if FOTR didn't get an Oscar, why should TTT? I doubt Return of the King will win the award next year either. Sequels never do as well as the original at the Oscars, unless it's The Godfather II. It's OK that the Academy doesn't recognize the LOTR films with awards. Twenty years from now, people will remember LOTR much better than they'll remember last year's Best Picture winner, the John Nash biopic A Beautiful Mind. I've already forgotten most of it.